The composition centers on a space that is fundamentally invisible to the present eye; it is a "non-place" constructed entirely from the shadows of what has already occurred.
The large, aggressive boundary lines serve as an ontological divide. These borders do not merely delineate a room, but quantify the growing distance between the viewer's current existence and the receding memory of "living." In this work, the home is a phantom—a site where the past refuses to vanish, yet the present fails to fully take root.
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